That’s what we’re gonna ask you.
Our study shows that over one year, over 800 students from across the country, all under the age of 40, were tested in the studio on the following exercises
C6 E7 G7 C F#7
C major D minor F Major E E Minor D E Mixolydian F minor D major F Minor F Minor
This is a comprehensive study of the guitar and also contains some exercises for other keys, like the D minor scale.
The material has been prepared according to the guidelines set by the International Standards Organization (ISO) for guitar practice. We’ve used their standardized exercises, with a few exceptions.
If you study it, and you’d like to test yourself, you’ll need a good instrument and some motivation.
And if you wanna know if it’s going to make you a better guitar player, there are lots of questions to ask yourself that you may or may not be able to answer.
You may even find yourself saying “what if I play it differently?”
So that’s gonna be part of the study for both sides!
And now, let’s get started.
When it comes to learning scales, there are two main principles that you can focus on.
First, if you start with the same root note at the top, you’ll get a good base to work off of.
You’ll understand what chords are at its root, the major, and you’ll be able to think about each line on a major scale.
Second, you should begin by picking the same root note in each section of a scale progression.
This is important so that you’re able to play the root in that scale section together with the chords at the root.
The reason most people think this is a bad thing is that a lot of guitarists use the same chord shapes in different scales.
For example, there are two different chords that you could play in the major that sound similar to each other: Cmaj7 and Cmaj11.
But you don’t play these two chords together:
If Cm11 is the root in the C major scale, it’d mean that these chords are the same, even though they’re on the same key.
But that’s not the case.
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